The Queen’s Tears – a must for fans of dual-timeline novels and well-written historical fiction
REVIEW
I received this as an ARC from the publisher and it was a real treat. Set in Stuart England and the present day, this is a dual timeline book that balances both stories extremely well. On the one hand you have Julia Darke, trying to uncover the secrets of a mysterious portrait – what is beneath the overpainting? – and on the other, you have the life of the woman in the portrait and all her family. The Villiers family is renowned for the machinations of matriarch Barbara Villliers, and in this novel the intricacies of the Stuart court, and the grasp for power and influence are fascinatingly portrayed. But is the portrait Barbara?
Stolen jewels, a secret society, and the paintings of Van Dyck, all feature prominently. Julia Darke, who holds the novel together, is the owner of an bookshop, and a would-be novelist. The portrait at the centre of the story is her inspiration, and she is determined to unravel its secrets. Cue ‘Fake or Fortune’ type analysis, and a rival intent on keeping the painting for herself.There is a lovely smattering of romance in the story, but all is not tied up too neatly so there is room for a second book in the series. I do hope there will be one, as this was one of the best dual timeline novels I have ever read.

A stolen crown jewel and an enigmatic portrait force two women to confront the devastating choices they made for love—and summon the courage to live with the truth.

1619: Barbara, Lady Villiers, at the bidding of her brother-in-law, the Duke of Buckingham, has stolen the dying Queen Anna’s jewels—and kept the greatest prize for herself. The Queen’s Tears, a brooch of extraordinary value, torments her: too dangerous to sell, too priceless to discard, and possibly her only means of securing her children’s future. When the family fortunes are shattered, Barbara faces an impossible choice: remain loyal to Buckingham—or betray him by confessing the theft to King Charles.

Present Day: Julia Darke opens her Cotswolds bookshop to start life over peacefully. Instead, a Van Dyck portrait of Barbara’s daughter, with tantalising signs of the missing Queen’s Tears hidden in plain sight, brings her face-to-face with Oliver Villiers, the Oxford art conservator she once loved and walked away from.

Reluctantly drawn together to uncover Barbara’s secret, Julia and Oliver follow the trail of the Queen’s Tears—and the closer Julia comes to Barbara’s truth, the harder it becomes to hide from her own.

Inspired by the true stories of Queen Anna of Denmark’s stolen jewels and a missing Van Dyck painting,The Queen’s Tearsweaves history, fiction, and family research across the centuries. Readers ofThe Lydiard Chronicleswill find old favourites—and a new heroine following in their footsteps.

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About Elizabeth St.John

Elizabeth St.John’s acclaimed historical fiction brings to life her ancestors—remarkable women linked to England’s royalty—offering unique insights into Medieval, Tudor, and Stuart times. Her novels unfold not just as traditional series, but as an interlocking web of lives: The Lydiard Chronicles—including the celebrated The Lady of the Tower—The Godmother’s Secret, and The King’s Intelligencer explore everything from the English Civil War to the mystery of the Princes in the Tower. Her newest novel, The Queen’s Tears, a dual timeline pursuing a stolen crown jewel, reunites favourite characters from the seventeenth-century with a present-day bookstore owner heroine.

At the heart of her writing is the transformation of real ancestral histories into narratives of historical continuity. She follows threads of legacy through generations, guided as much by wills, letters, portraits, country churches, ruined castles, manor houses, and lost gardens as by imagination. Locations become constant companions through time, while characters whisper across centuries—their decisions resonating in the lives of their descendants to reveal how choices shape legacies. Grounded in historic sites like Lydiard Park and the Tower of London, her work creates a living archival flow that continues to flourish as the past yields its secrets.

Elizabeth divides her time between California, England, and the past, surrounded by books, gardens, and animals, with a slightly bewildered, ever-supportive husband beside her.

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